Friday, February 25, 2011
Crossroads Foundation | Photographer Needed
Crossroads Foundation is in immediate need for someone to take photographs to accompany between 12 to 15 testimonials that include current students, alumni and profiles of Crossroads families who have had three or more kids come through Crossroads and attend Catholic Schools. Must have access to a car, as the photographs will be taken in homes or at schools. Contact: Florence Rouzier, executive director, frouzier@crfdn.org.
Call for Submissions: Black and White
One last reminder...
PhotoPlace Gallery Juried Photography Exhibition
Call for Submissions: Black and White
Juror: Dan Burkholder
Deadline: midnight Monday, Feb. 28th
Wednesday, February 23, 2011
FotoEvidence call for entries.
Once a year the FotoEvidence Book Award will recognize a documentary project addressing a violation of human rights, a significant injustice, or an assault on human dignity. The selected project will be published in a book, as part of a series of FotoEvidence books dedicated to the work of photographers whose commitment and courage create an awareness of social injustice.
Awards:
The winning photographer will have their project published as a FotoEvidence book. In addition, one project may be selected for a $1000 support award. This award will be granted for continued work on a project or to a project that does not have enough material to justify a book. Recipients of the Support Award may apply for the FotoEvidence Book Award in the future.
The Book Award and Support Award prize winners and three other projects will be exhibited on the FotoEvidence web site and at a gallery exhibition in New York City during the fall of 2011.
Submission Requirements:
- The competition is open to professional and amateur photographers.
- Submit up to 15 images from one project. If you are selected for the FotoEvidence Book Award you will be asked to submit 100-120 photographs on the same topic.
- $50 entry fee, payable during the online entry process.
SUBMISSIONS HERE
Itty Bitty Art Show Call
TBA SPACE 1039 CALL FOR ENTRIES: Itty Bitty Art Show (due 03.11.11)
Itty Bitty Art Show
The world is big. Sometimes too big. We are all rushing and bustling about and never get to examine the small things that makes life so great. This is an exhibition of small works. Paintings, photographs, sculpture; you name it. If it’s itty bitty, we want it. Look up close, get personal– the time is now; otherwise you just might miss it.
In order to be considered for the exhibit, you must submit the following:
Entry Form (Download Here)
Entry Fee
Digital Images
Artist Statement
Eligibility: This juried exhibition is open to national and international artists (professional, emerging, and student).
Media/Genre: Open to works of all genres and media.
Two-dimensional Work: No bigger than 10×10 inches (including frame)
Three-dimensional Work: No bigger than 18x18x18 inches
Delivery & Return of Work: All work accepted for the exhibition must arrive ready to install. Work that is not ready to hang or that does not exhibit good craftsmanship may be omitted from the exhibit. Work that differs significantly from its entry image may be disqualified. Work can be hand delivered or shipped. Hand delivered work must be picked up from the gallery by the date specified (see Deadlines).
TBA Space 1039 is not responsible for work left beyond the date specified. Shipped work must be sent in a reusable container with return shipping prepaid. Work should be securely packaged, clearly labeled, and sent with a return shipping label. Work will be returned in the same manner as delivered, or via UPS/USPS.
Accepted work will remain on display for the duration of the exhibition.
Entry Fee: You may submit up to five (5) pieces for a non-refundable entry fee of $20. The entry fee may be paid online or with cash*, check, or money order (checks and money orders should be made payable to TBA Space 1039).
*Please do not send cash payments via mail.
Sale of Work: TBA Space 1039 will not take commission on the sale of artwork. Payment will be made directly to artists.
Images: TBA Space 1039 only accepts digital images for consideration. Images must meet the following specifications:
File Names: Artist’s last name followed by the entry number (i.e. Smith01.jpg, Smith02.jpg)
File Size: Images must be saved in a HIGH QUALITY JPEG format at 72 DPI and no smaller than 1000 pixels in any direction.
Deadlines:
Mar 11: Submissions Due by 11:59 CST
Mar 14: Notifications Emailed
Apr 4: Accepted Work Due to Gallery
Apr 8: Opening Reception
Apr 29: Exhibition Closes
May 5: Return of Work Begins (Pick-up/Ship)
May 20: Deadline for the Pick-Up of Work
To Submit via Mail: Please send all materials (via USPS or UPS only) to:
TBA Space 1039
Itty Bitty Art Show
1039 W. Grand Avenue
Chicago, IL 60622
Submit images using a CD/DVD and clearly label it with your full name and contact information. CD/DVDs will not be returned.
To Submit via Email: Email all materials to tbaspace@gmail.com. Include your full name in the subject line along with “Itty Bitty Art Show.”
Marketing: TBA Space 1039 reserves the right to use images of accepted works for promotional purposes. The gallery may request hi-res images of accepted work upon notification.
Liability: TBA Space 1039 will take the utmost care of your work. Insurance will not be provided for any artwork while on TBA Space 1039’s premises. TBA Space 1039 bears no responsibility and is not liable for damage to, theft of, or change in the condition of artwork while on the gallery premises or as a result of participation with the gallery. The gallery is not responsible for any damage occurred during shipping.
By submitting your payment online, you consent to all the conditions specified in the above guidelines. Incomplete submissions or submissions that do not comply with the above guidelines will not be considered. Please click the Paypal button on the right hand side of the screen to pay for your submissions.
Itty Bitty Art Show
The world is big. Sometimes too big. We are all rushing and bustling about and never get to examine the small things that makes life so great. This is an exhibition of small works. Paintings, photographs, sculpture; you name it. If it’s itty bitty, we want it. Look up close, get personal– the time is now; otherwise you just might miss it.
In order to be considered for the exhibit, you must submit the following:
Entry Form (Download Here)
Entry Fee
Digital Images
Artist Statement
Eligibility: This juried exhibition is open to national and international artists (professional, emerging, and student).
Media/Genre: Open to works of all genres and media.
Two-dimensional Work: No bigger than 10×10 inches (including frame)
Three-dimensional Work: No bigger than 18x18x18 inches
Delivery & Return of Work: All work accepted for the exhibition must arrive ready to install. Work that is not ready to hang or that does not exhibit good craftsmanship may be omitted from the exhibit. Work that differs significantly from its entry image may be disqualified. Work can be hand delivered or shipped. Hand delivered work must be picked up from the gallery by the date specified (see Deadlines).
TBA Space 1039 is not responsible for work left beyond the date specified. Shipped work must be sent in a reusable container with return shipping prepaid. Work should be securely packaged, clearly labeled, and sent with a return shipping label. Work will be returned in the same manner as delivered, or via UPS/USPS.
Accepted work will remain on display for the duration of the exhibition.
Entry Fee: You may submit up to five (5) pieces for a non-refundable entry fee of $20. The entry fee may be paid online or with cash*, check, or money order (checks and money orders should be made payable to TBA Space 1039).
*Please do not send cash payments via mail.
Sale of Work: TBA Space 1039 will not take commission on the sale of artwork. Payment will be made directly to artists.
Images: TBA Space 1039 only accepts digital images for consideration. Images must meet the following specifications:
File Names: Artist’s last name followed by the entry number (i.e. Smith01.jpg, Smith02.jpg)
File Size: Images must be saved in a HIGH QUALITY JPEG format at 72 DPI and no smaller than 1000 pixels in any direction.
Deadlines:
Mar 11: Submissions Due by 11:59 CST
Mar 14: Notifications Emailed
Apr 4: Accepted Work Due to Gallery
Apr 8: Opening Reception
Apr 29: Exhibition Closes
May 5: Return of Work Begins (Pick-up/Ship)
May 20: Deadline for the Pick-Up of Work
To Submit via Mail: Please send all materials (via USPS or UPS only) to:
TBA Space 1039
Itty Bitty Art Show
1039 W. Grand Avenue
Chicago, IL 60622
Submit images using a CD/DVD and clearly label it with your full name and contact information. CD/DVDs will not be returned.
To Submit via Email: Email all materials to tbaspace@gmail.com. Include your full name in the subject line along with “Itty Bitty Art Show.”
Marketing: TBA Space 1039 reserves the right to use images of accepted works for promotional purposes. The gallery may request hi-res images of accepted work upon notification.
Liability: TBA Space 1039 will take the utmost care of your work. Insurance will not be provided for any artwork while on TBA Space 1039’s premises. TBA Space 1039 bears no responsibility and is not liable for damage to, theft of, or change in the condition of artwork while on the gallery premises or as a result of participation with the gallery. The gallery is not responsible for any damage occurred during shipping.
By submitting your payment online, you consent to all the conditions specified in the above guidelines. Incomplete submissions or submissions that do not comply with the above guidelines will not be considered. Please click the Paypal button on the right hand side of the screen to pay for your submissions.
Whitney Program Call for Entries
For more information and application procedures please see our website:
http://whitney.org/Research/ISP/Application
The Independent Study Program (ISP) consists of three interrelated parts: Studio Program, Curatorial Program, and Critical Studies Program. The ISP provides a setting within which students pursuing art practice, curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artistic production. The program encourages the theoretical and critical study of the practices, institutions, and discourses that constitute the field of culture.
Each year fifteen students are selected to participate in the Studio Program, four in the Curatorial Program and six in the Critical Studies Program. The program begins in early September and concludes at the end of the following May. Many of the participants are enrolled at universities and art schools and receive academic credit for their participation, while others have recently completed their formal studies.
Studio Program
The participants in the Studio Program are engaged in a variety of art practices with an emphasis on installation work, film and video, photography, performance, and various forms of interdisciplinary practice. The program provides studio space and facilities in our loft in downtown Manhattan. The Studio Program exhibition is held in May.
Curatorial Program
Curatorial students collaborate to produce an exhibition. Working closely with the program’s faculty and curators at the Whitney, the students develop proposals for the exhibition. Once a proposal has been approved by the Museum’s curators, the students proceed to select artworks, arrange loans, and design and oversee the installation of the exhibition. The students write essays for and participate in the production of a catalogue accompanying their exhibition.
Critical Studies Program
Critical Studies participants engage in individual scholarly research and critical writing projects through tutorials with a professional art historian, critic, or cultural theorist. The program’s faculty arranges tutorials and provides additional advice and guidance. A symposium is held in May at the Whitney, at which the Critical Studies students present papers.
Faculty
The faculty of the ISP is available to meet individually with all members of the program to discuss their work or more general practical, theoretical, or historical questions. The program’s regular and visiting faculty members are Ron Clark, Mary Kelly, Benjamin Buchloh, Hal Foster, Laura Mulvey, Isaac Julien, Gregg Bordowitz, Andrea Fraser, Chantal Mouffe, Alex Alberro, Jennifer Gonzalez, Okwui Enwezor and Sarah Lookofsky.
Seminars
Each week during the year, a professional artist, theorist, or historian conducts a seminar at the program. Members of all three components of the program participate in these seminars, which focus on the work of the seminar leader. In addition, all members of the program participate in a weekly reading seminar in social and cultural theory led by Ron Clark and members of the program’s visiting faculty. This seminar provides an occasion for the group to collectively study and discuss contemporary critical theory. There is a particular emphasis on the methodologies of critical cultural studies and social art history.
Recent Seminar Leaders and Tutors
Vito Acconci
Alex Alberro
Emily Apter
Carol Armstrong
Homi Bhabha
Gregg Bordowitz
Benjamin Buchloh
Matthew Buckingham
Judith Butler
Jonathan Crary
Thomas Crow
Rosalyn Deutsche
Mark Dion
Okwui Enwezor
Harun Farocki
Hal Foster
Andrea Fraser
Coco Fusco
Jennifer González
Isabelle Graw
Renée Green
Hans Haacke
Jenny Holzer
Chrissie Iles
Alfredo Jaar
Gareth James
Isaac Julien
Robin Kelley
Mary Kelly
Silvia Kolbowski
Miwon Kwon
Louise Lawler
Tom McDonough
Kobena Mercer
Chantal Mouffe
Laura Mulvey
Mark Nash
Molly Nesbit
Christiane Paul
Adrian Piper
Yvonne Rainer
Martha Rosler
Andrew Ross
Allan Sekula
Gayatri Spivak
Anthony Vidler
Fred Wilson
Peter Wollen
Support for The Independent Study Program is provided by Margaret Morgan and Wesley Phoa, The Capital Group Charitable Foundation, the Whitney Contemporaries through their annual Art Party benefit, the Easton Foundation, the National Committee of the Whitney Museum of American Art, the Edward and Sally Van Lier Foundation, and an anonymous donor.
Endowment support is provided by Joanne Leonhardt Cassullo, the Dorothea L. Leonhardt Fund of the Communities Foundation of Texas, the Dorothea L. Leonhardt Foundation, the Helena Rubinstein Foundation, and George S. Harris.
The Independent Study Program is an equal opportunity education program. The Program does not discriminate because of age, sex, religion, race, color, national origin, disability, marital status, veteran status, sexual orientation, or any other factor prohibited by law.
http://whitney.org/Research/ISP/Application
The Independent Study Program (ISP) consists of three interrelated parts: Studio Program, Curatorial Program, and Critical Studies Program. The ISP provides a setting within which students pursuing art practice, curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artistic production. The program encourages the theoretical and critical study of the practices, institutions, and discourses that constitute the field of culture.
Each year fifteen students are selected to participate in the Studio Program, four in the Curatorial Program and six in the Critical Studies Program. The program begins in early September and concludes at the end of the following May. Many of the participants are enrolled at universities and art schools and receive academic credit for their participation, while others have recently completed their formal studies.
Studio Program
The participants in the Studio Program are engaged in a variety of art practices with an emphasis on installation work, film and video, photography, performance, and various forms of interdisciplinary practice. The program provides studio space and facilities in our loft in downtown Manhattan. The Studio Program exhibition is held in May.
Curatorial Program
Curatorial students collaborate to produce an exhibition. Working closely with the program’s faculty and curators at the Whitney, the students develop proposals for the exhibition. Once a proposal has been approved by the Museum’s curators, the students proceed to select artworks, arrange loans, and design and oversee the installation of the exhibition. The students write essays for and participate in the production of a catalogue accompanying their exhibition.
Critical Studies Program
Critical Studies participants engage in individual scholarly research and critical writing projects through tutorials with a professional art historian, critic, or cultural theorist. The program’s faculty arranges tutorials and provides additional advice and guidance. A symposium is held in May at the Whitney, at which the Critical Studies students present papers.
Faculty
The faculty of the ISP is available to meet individually with all members of the program to discuss their work or more general practical, theoretical, or historical questions. The program’s regular and visiting faculty members are Ron Clark, Mary Kelly, Benjamin Buchloh, Hal Foster, Laura Mulvey, Isaac Julien, Gregg Bordowitz, Andrea Fraser, Chantal Mouffe, Alex Alberro, Jennifer Gonzalez, Okwui Enwezor and Sarah Lookofsky.
Seminars
Each week during the year, a professional artist, theorist, or historian conducts a seminar at the program. Members of all three components of the program participate in these seminars, which focus on the work of the seminar leader. In addition, all members of the program participate in a weekly reading seminar in social and cultural theory led by Ron Clark and members of the program’s visiting faculty. This seminar provides an occasion for the group to collectively study and discuss contemporary critical theory. There is a particular emphasis on the methodologies of critical cultural studies and social art history.
Recent Seminar Leaders and Tutors
Vito Acconci
Alex Alberro
Emily Apter
Carol Armstrong
Homi Bhabha
Gregg Bordowitz
Benjamin Buchloh
Matthew Buckingham
Judith Butler
Jonathan Crary
Thomas Crow
Rosalyn Deutsche
Mark Dion
Okwui Enwezor
Harun Farocki
Hal Foster
Andrea Fraser
Coco Fusco
Jennifer González
Isabelle Graw
Renée Green
Hans Haacke
Jenny Holzer
Chrissie Iles
Alfredo Jaar
Gareth James
Isaac Julien
Robin Kelley
Mary Kelly
Silvia Kolbowski
Miwon Kwon
Louise Lawler
Tom McDonough
Kobena Mercer
Chantal Mouffe
Laura Mulvey
Mark Nash
Molly Nesbit
Christiane Paul
Adrian Piper
Yvonne Rainer
Martha Rosler
Andrew Ross
Allan Sekula
Gayatri Spivak
Anthony Vidler
Fred Wilson
Peter Wollen
Support for The Independent Study Program is provided by Margaret Morgan and Wesley Phoa, The Capital Group Charitable Foundation, the Whitney Contemporaries through their annual Art Party benefit, the Easton Foundation, the National Committee of the Whitney Museum of American Art, the Edward and Sally Van Lier Foundation, and an anonymous donor.
Endowment support is provided by Joanne Leonhardt Cassullo, the Dorothea L. Leonhardt Fund of the Communities Foundation of Texas, the Dorothea L. Leonhardt Foundation, the Helena Rubinstein Foundation, and George S. Harris.
The Independent Study Program is an equal opportunity education program. The Program does not discriminate because of age, sex, religion, race, color, national origin, disability, marital status, veteran status, sexual orientation, or any other factor prohibited by law.
Call for Entry | Light Factory
Light Factory
Seeking challenging and inventive new work from photographers and artists throughout the country for an exciting exhibition. The work can include both traditional and non-traditional approaches to photographic imaging. The exhibition will consist of 6 artists, each of whom will be represented by 5-7 images (size permitting). Exhibition Dates are May 31 to September 25, 2011 (Opening reception: Saturday, June 4). Entry fee.
Registration & entry details:
http://www.lightfactory.org
Seeking challenging and inventive new work from photographers and artists throughout the country for an exciting exhibition. The work can include both traditional and non-traditional approaches to photographic imaging. The exhibition will consist of 6 artists, each of whom will be represented by 5-7 images (size permitting). Exhibition Dates are May 31 to September 25, 2011 (Opening reception: Saturday, June 4). Entry fee.
Registration & entry details:
http://www.lightfactory.org
Call for Entry | Spoked
Desotorow Gallery announces a call to artists for “Spoked,” an exhibition to be held Mar. 4 - Mar. 15, 2011.
Bicycles have had an immeasurable impact on culture worldwide. The passion they elicit has proven to be a universal presence with numerous subcultures. The bicycle is an object of pure simplicity, yet paradoxically our relationship with this ultimate human-powered machine is infinitely complex. The exhibition Spoked celebrates work that represents bicycles and bicycle culture in its many forms.
The juried exhibition “Spoked” is open to national and international artists of all levels. To be considered, an entry form, entry fee, artist statement and digital images of the artwork should be submitted to Desotorow Gallery by 5pm, Feb. 24, 2011. A $20 submission fee allows for the submission of up to 3 pieces of work. Artists will receive notification of the list of selected pieces through email on Feb. 25.
Further information about submitting work for the exhibition “Spoked,” including a complete list of dates, submission guidelines and forms, can be found at http://www.desotorow.org.
Any questions about Desotorow Gallery and this exhibition can be addressed by calling
912.355.8204 or emailing info@desotorow.org.
Tuesday, February 22, 2011
Photography Club Gains USG Recognition
Yesterday, United Student Government approved photography club as the newest addition to the university's list of clubs and organizations! Our next step will be to introduce fundraising options. Stay tuned for upcoming events and this months meeting date.
As of right now we have three founding officers:
Remington Brooks
Madeline McKain
Natalie Rankin
And our Faculty Advisor
Patrick Millard
Thank you to everyone who has contributed to making this club possible!
You can always contact me at Remington_Taylor@me.com with any comments questions or concerns.
The Focus Project
 You are invited to participate in The Focus Project, a yearly competition seeking compelling photography. Throughout the course of The Focus Project, selected photographers will be prominently featured on our homepage and have a chance at life-changing awards, world-wide acclaim, a red-carpet New York City reception and more than $75,000 in awards to fund your passion: taking incredible photos. |
| Click here to start. Participation is quick, easy and best of all, your first image is free. |
 presented by  |
Friday, February 18, 2011
Enter your best science photos to win!
Carnegie Science Center is calling amateur photographers of all ages! Show off your camera skills, and your love of science, by submitting up to two of your best photographs that capture a scientific theme. Entering is easy, and you can win cash prizes!
http://members.carnegiemuseums.org/site/R?i=RgentgIkU98aX3z9PA4Pmw..
Eligible photographs may display a weather scene, a microscopic image, an image showing force or energy, or an image depicting astronomy, mechanics, biology, physics, chemistry, cosmology, or any other scientific field. The challenge is to capture the essence and aesthetic beauty of a scientific phenomenon in a photograph that both communicates a scientific concept and is artistically significant.
There are two ways to win! A panel of judges will determine the winners of cash prizes, one winner in each age category: ages 18 and up, $500; ages 13-17, $250; ages 12 and under, $100. All submissions will be featured on Trib Total Media's Contest webpage, where fans will be able to view the photos and vote for their favorites. A People's Choice prize will be given to a contestant in each age category with the most online votes. The award will be a family membership to Carnegie Museums of Pittsburgh. Voting will open on Friday, April 1, 2011 and will close on Friday, April 15.
Hurry, the deadline for submission is Thursday, March 31, 2011! Don't forget to vote for your favorites!
Click here to get started.
http://members.carnegiemuseums.org/site/R?i=tG2Hn-SqbNdgMCmxCceFQA..
Art of Science is sponsored by Carnegie Science Center and is made possible with the support of Trib Total Media. For complete rules, regulations, and submission instructions, see our Contest Page.
Tuesday, February 15, 2011
TED Prize: Wishes Big Enough to Change the World
The Prize has already been awarded for 2011 to JR, but you can watch the award ceremony live. You can also see the pictures at;
http://www.tedprize.org/jr-one-artist-one-wish-to-change-the-world-will-you-join-him/
"The TED Prize is designed to leverage the TED community’s exceptional array of talent and resources. It is awarded annually to an exceptional individual who receives $100,000 and, much more important, “One Wish to Change the World.” After several months of preparation, s/he unveils his/her wish at an award ceremony held during the TED Conference. These wishes have led to collaborative initiatives with far-reaching impact."
"
TED stands for Technology, Entertainment, Design. It started out (in 1984) as a conference bringing together people from those three worlds. Since then its scope has become ever broader.
The TED Conference, held annually in the spring, is the heart of TED. More than a thousand people now attend, the event sells out a year in advance, and the content has expanded to include science, business, the arts and the global issues facing our world. Over four days, 50 speakers each take an 18-minute slot, and there are many shorter pieces of content, including music, performance and comedy. There are no breakout groups. Everyone shares the same experience. It shouldn’t work, but it does. It works because all of knowledge is connected. Every so often it makes sense to emerge from the trenches we dig for a living, and ascend to a 30,000-foot view, where we see, to our astonishment, an intricately interconnected whole."
Thought it was interesting :]
Monday, February 14, 2011
Friday, February 11, 2011
Speaking Light | Christine Holtz | Feb. 25th, 6pm
Speaking Light | Friday, February 25th, 6pm JVH Auditorium
Christine Holtz will talk about her work that examines the vernacular landscapes that are the setting for monumental and life changing experiences.
www.christineholtz.com
Call for Entry
SlowArt Productions / Limner Gallery
February 2011
We have two upcoming events open for entry, one exhibition and the Direct Art Magazine annual entry.
Arte Natura - entry deadline February 28. This is a group exhibition at the Limner Gallery for art related to and inspired by the natural world.
Arte Natura - entry deadline February 28. This is a group exhibition at the Limner Gallery for art related to and inspired by the natural world.
Direct Art Magazine - deadline is March 31. This is the 18th issue of Direct Art, it will be distributed to bookstores across the USA including Borders and Barnes and Noble. Competition is for covers, feature articles and display pages.
For those interested all events are linked to entry forms above and also listed on the prospectus page at www.slowart.com/prospectus
Sorry for the late notice, I've been busy with gallery renovations this winter.
Tim Slowinski
SlowArt Productions
Limner Gallery
123 Warren Street
Hudson, NY 12534
Hudson, NY 12534
Monday, February 7, 2011
Photographers Forum
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Friday, February 4, 2011
SPE National | Atlanta
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Wednesday, February 2, 2011
Silver Eye Center for Photography Internship
INTERNSHIP APPLICATION
Thank you for choosing to apply to intern with the Silver Eye Center for Photography.
If you have any questions, please email education@silvereye.org or call 412-431-1810
Name:___________________________________________________________Date:_________
Address:(current)________________________________________________________________
(permanent)_______________________________________________________________
Phone: (home)______________________________________(other)_____________________________
Email:_________________________________________________________________________
How did you hear about Silver Eye? ________________________________________________________________________
Please state your skills. Be as specific as possible, and feel free to use an additional page if necessary.
Photography knowledge (the market place, outlets, state of the industry, general photographic knowledge, etc…)
________________________________________________________________________
Media/Public Relations ________________________________________________________________________
Event organizing ________________________________________________________________________
Computer (proficiency with platforms, databases, etc.) ________________________________________________________________________
Describe your commitment to the photographic arts and the arts in general.
______________________________________________________________________________
What would you bring to Silver Eye? ________________________________________________________________________
Please provide us with the approximate date of when you would like to begin your internship, and the approximate duration
SPRING
Dates: ________________________________________
Duration: ____________________________________
SUMMER
Dates: ________________________________________
Duration: ____________________________________
FALL
Dates: ________________________________________
Duration: ____________________________________
WINTER
Dates: ________________________________________
Duration: ____________________________________
Please state the number of hours per week you would be able to intern (min. 6): __________________________
Thank you for applying to the Silver Eye Center for Photography
Internship Program.
Please return this application and all supporting documents as soon as possible. Mail to:
Silver Eye Center for Photography
1015 East Carson Street. Pittsburgh, PA 15203
Phone: 413 431 1810
OR FAX: 412 431 5777
OR EMAIL: education@silvereye.org
IMPORTANT!
You MUST include with your completed application the following:
1. A cover letter stating why you are interested in interning at Silver Eye
and what strengths you could bring to the organization.
2. Your résumé or cv
3. Two letters of recommendation and/or two references
THANKS!!
Thank you for choosing to apply to intern with the Silver Eye Center for Photography.
If you have any questions, please email education@silvereye.org or call 412-431-1810
Name:___________________________________________________________Date:_________
Address:(current)________________________________________________________________
(permanent)_______________________________________________________________
Phone: (home)______________________________________(other)_____________________________
Email:_________________________________________________________________________
How did you hear about Silver Eye? ________________________________________________________________________
Please state your skills. Be as specific as possible, and feel free to use an additional page if necessary.
Photography knowledge (the market place, outlets, state of the industry, general photographic knowledge, etc…)
________________________________________________________________________
Media/Public Relations ________________________________________________________________________
Event organizing ________________________________________________________________________
Computer (proficiency with platforms, databases, etc.) ________________________________________________________________________
Describe your commitment to the photographic arts and the arts in general.
______________________________________________________________________________
What would you bring to Silver Eye? ________________________________________________________________________
Please provide us with the approximate date of when you would like to begin your internship, and the approximate duration
SPRING
Dates: ________________________________________
Duration: ____________________________________
SUMMER
Dates: ________________________________________
Duration: ____________________________________
FALL
Dates: ________________________________________
Duration: ____________________________________
WINTER
Dates: ________________________________________
Duration: ____________________________________
Please state the number of hours per week you would be able to intern (min. 6): __________________________
Thank you for applying to the Silver Eye Center for Photography
Internship Program.
Please return this application and all supporting documents as soon as possible. Mail to:
Silver Eye Center for Photography
1015 East Carson Street. Pittsburgh, PA 15203
Phone: 413 431 1810
OR FAX: 412 431 5777
OR EMAIL: education@silvereye.org
IMPORTANT!
You MUST include with your completed application the following:
1. A cover letter stating why you are interested in interning at Silver Eye
and what strengths you could bring to the organization.
2. Your résumé or cv
3. Two letters of recommendation and/or two references
THANKS!!
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